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The stage-composition chart totalled each wake day, and a nap ends on the same wake day as that morning's night. An afternoon nap was added straight into the night's stage buckets, so the column read longer and shallower than the night actually was. The composition now asks the same question the night view already asks: which session was the night. The night's stages are the night's, and the nap sits on its own band above them, in its own colour, with its own line in the tooltip. Days without a nap look exactly as they did.